Actor Jealousy & Comparisons

This week: Jealousy Losses. Ambition Wins

Comparisons; they happen. Especially in group settings such as the collaboration that is the performing arts. And they can destroy the harmony and productivity of any project. The comparison can be a seemingly innocent thought such as a dance captain musing to themselves that one the dancers in the theatrical company has a better extension.  Or it can be a morale damaging comment carelessly (or with malicious intent) spoken by a secondary role actor that they believe they have superior skills than the actor playing the leading role. Comparisons do damage. Whether spoken or silently pondered. While you may think comparing is helpful to better oneself; careful. Human nature often goes towards the negative like a sexual compulsive to a bathhouse. Either situation; the chatterer or the salacious sex fiend, leaves them feeling empty and less than their worth. Jealousies fester.

We all do comparisons of ourselves to others. My partner constantly reprimands me for diving into the infested waters of the comparison swamp. I’ll comment about peers who I assume or know to have more profitable careers than I. And then I’ll mope. For days. Sometimes weeks. Thinking ‘I’m not good enough.’ When my book ACTING: Make It Your Business was first released I was daily, almost hourly, obsessed with going to Amazon.com to see where my sales rank rated and how it compared with similar books. When my high school friend Kevin Murphy, the creative behind Mystery Science Theater 3000 and Reefer Madness – The Musical, became an executive producer and writer for Desperate Housewives I wallowed in the soulless self-pity of ‘Why can’t that be me?’ None of these actions were helpful to my moving forward in my goals. Nor was I a happy camper to be around in the company of others. And this wallow and worry was also a major waste of time and energy. Energy that could have been put to better use elsewhere; like an ambition to looking for new opportunities for growth. As I often say (but seldom follow) ‘Worry is a waste.’ Eventually I’ll slap myself and stop what is essentially career momentum stopping behavior.  We all have our moments but when they build from moments to eras then you need to fix your comparison problem.

Positive comparisons are fine such as one actor complimenting another on their performance, “It’s wonderful how you ground your character and keep the tension of the story; I’m learning much from your work.” With a comment similar to that you’re not only providing positive reinforcement to a fellow company member (who may be in their own comparison swamp) you’re also displaying your desire for growth.

BackstabA potential negative comparison such as one actor to another in a regional theater setting, “Your comedic timing is fascinating; I’ll never be as good as you.” opens a Pandora’s Box for trouble. It may have seemed that what was expressed was a compliment. But words have a funny way of being twisted and carrying meaning beyond what we intend. Let’s take a look at where the statement crashed. First; the comment, “I’ll never be as good as you” belittles your contributions and openly announces insecurities which others in the company seize upon as a confessed weakness and gives an invitation to dismiss you. Secondly, you empower the person to whom you’re speaking. And thirdly, the vagueness of the comment “fascinating” could be viewed as sarcasm by the recipient.

The comparison statement doesn’t even have to be made by you to the person you admire (or are jealous of). Some people with insecurities (and that’s the heart to where this problem stems) will whisper to others in a company that they believe their skills to be far superior to someone else within the same company. That statement then, like the childhood game of telephone, is spread from one company member to another. The telling of the comparison changes as the information is disseminated and distorted between exchanges. Eventually this brings attention of the person(s) you were comparing yourself to. Gone is company moral. Unnecessary tensions build. Distrust breeds. Negativity manifests within the production.

Making comparisons is not healthy if you continually focus on your faults or the faults of others.

One of the traps in the comparison swamp is perception. While you may look at someone else who dabbles in your field of expertise and think them to be wildly successful you never truly know what their life is like. To the public they may seem as if they have a sweetly composed life accompanied by a healthy bank account. But in reality they may be like you; comparing their career (or lack thereof) to someone else while wishing their own were better.

If you wallow in the “I wish that were me” then you’ll always be mired in the comparison swamp. Lost in the reeds. Drowning. When the comparatives surface in your cranium think carefully before giving them validity. Is it jealousy that prompted the thought or is it a desire to better yourself? If it’s the former, toss the thought of, “I could be better than so-and-so…” away. If it’s for the betterment of you and invigorates your ambition for improvement then embrace and keep the thought to yourself while working on finding means to be content with what you presently can develop or keep from your talents. You’ll be a much happier artist if you do so.

My best,
Paul

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plus Hollywood & Broadway actors in Paul Russell’s Best-Selling Book ACTING: Make It Your Business!

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Paul Russell’s career as a casting director, director, acting teacher and former actor has spanned nearly thirty years. He has worked on projects for major film studios, television networks, and Broadway. Paul has taught the business of acting and audition technique at NYU and has spoken at universities including Yale, Elon and Wright State University. He is the author of ACTING: Make It Your Business – How to Avoid Mistakes and Achieve Success as a Working Actor. For more information, please visit www.PaulRussell.net.

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ACTING: Make It Your Business

Don’t Be This Actor! – #1 Professional Relationship Killer

Casting directors, directors, talent representatives and producers often encounter the-world-belongs-to-me thespians who pretend friendship in hopes of leveraging career opportunities. Repulsed they avoid actors who…

Justin—never one to be mistaken for for Mr. Congeniality—turned to his buddy and quipped, “If I go to a bar I’m bound to get laid before the ugly lights burn.”

Sean peered at him. “Just because you’re single and breathing doesn’t mean everyone will drop a condom for you.”

Justin’s blind sense of entitlement excels in some opportunistic actors who masquerade as friends to colleagues but under their congenial masks they’re social piranhas: feeding their career’s insatiable ambition appetite from a trough of other’s good will.

Casting directors, directors, talent representatives,  producers, and universally aware actors often encounter the-world-belongs-to-me thespians who pretend friendship in hopes of leveraging career opportunities. Repulsed by repetitious actor retailing, talent champions, entertainment employers, and artists favoring integrity over an ambitious agenda, avoid the egocentric actor who leverages career momentum by offering a false friendship.

Recently a friend, who has furthered the career goals of many industry and household known actors, wearily commented that the actors he’d helped for decades and purported to term him ‘friend’ no longer contact him or return his ‘how are you’ inquiries since his pursuing a new career beyond entertainment. He’s no longer of use to their business aspirations. On occasion an actor will randomly e-mail him inquiring halfheartedly, “How’s life?” Then follows quickly the true outreach’s purpose; the social piranha desires career advancement assistance.

Another entertainment industry peer voiced similar of her being wanted by actors only for what she had to offer to representing their careers. As an agent of three-plus decades, who was formerly an actress, she provides her knowledge of audition technique and scene study at various studios. When she’s approached by actors seeking her for classes too many of the actors don’t first ask, “How can you guide me with this challenge in my skills I’m having?” Instead the actors ask, “If I study with you, will you also represent me?” Her response is, “One of my loves is sharing my experience and industry knowledge in order to benefit an actor’s skill set. I don’t teach for pay-to-play. I teach because I love actors.” She’ s lost many prospective students with her answer.

I received an e-mail, similar to many sent from actors never met:

“Thanks for all the info you post and opportunities to learn – I ordered your book from Amazon earlier today.”

I smile, until…

“Do you have a role for me? I want your feedback on my reel at **********.”

The actress doesn’t hear the shower beckoning her.

Ability and appropriateness are the first major factors to winning career goals. Honest intent, without exploitation, of your relations is equally as important a factor. No one is entitled to anything beyond living freely in pursuit of joy.

When reflecting upon your industry relations, or you’re tempted to link via a social network with industry ask yourself,  “Do I want to leverage (i.e. use) this person for my goals? Or do I want to build a relationship with this person I get so we both get to know the other for ourselves, and not for what we each do?”

Honest friendships foster mutual success, and opportunity…

Casting Directors, Talent Agents, Directors & Actors

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This is your roadmap!”
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(NBC’s Peter Pan – LIVE!, Into The Woods – The Movie, Wicked, Sex & The City)
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(Law & OrderUnforgettable)
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Paul’s book tells you what you don’t want to hear but really need to know
EVERY actor should read this book!”
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KAREN ZIEMBA, TONY & Drama Desk Award Winning Actress
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Dr. NINA LeNOIR,
Dept. Chair – Dept. of Thtr.
Chapman University

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Paul Russell’s career as a casting director, director, acting teacher and former actor has spanned nearly thirty years. He has worked on projects for major film studios, television networks, and Broadway. Paul has taught the business of acting and audition technique at NYU and has spoken at universities including Elon, Yale, Temple and the University of the Arts. He is the author of ACTING: Make It Your Business – How to Avoid Mistakes and Achieve Success as a Working Actor. For more information, please visit www.PaulRussell.net.

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